Covers that earn the click.

I started drawing type on the margins of school books long before I knew there was a job for it. A design diploma, a stint inside a boutique publishing house, and one very patient romance author later, book covers became the thing I do full-time — and haven't stopped doing since.

The studio is small on purpose. Every project runs through me from the first discovery call to the final print-ready upload: concept, illustration direction, typography, spine, back-blurb layout, eBook JPEG, EPUB, audiobook square and 3D marketing mockups. No account managers, no hand-offs, no wondering who's actually touching your book.

Most of my work still comes from repeat clients and referrals. Authors come back for the sequel, then the series, then send their writing group my way. That's the metric I care about — not follower counts, not awards shelves, though a few of those have quietly stacked up too.